Frehley ready for blastoff
Former KISS
guitarist set to take
F.M. Kirby Center on a guitar-fueled rocket ride
By ALAN K. STOUT
Special to The Weekender
Ace Frehley is in fine
spirits. During a recent phone interview, the former KISS guitarist cracked his
trademark laugh several times as he chatted freely about his most recent solo
effort, “Spaceman,” his next album, “Origins, Vol. 2,” his two highly memorable
stints with KISS, and his upcoming show at the F.M. Kirby Center in
Wilkes-Barre. He also spoke about his complicated current relationship
with the members of KISS, his influence on younger guitarists, and of his last
appearance at The Kirby Center, in April of 2016, during which he became ill
and ended up spending a few days in a Wilkes-Barre hospital.
“Spaceman,” released last
fall, is Frehley’s ninth solo studio album and twelfth solo release if you
include live albums and compilations. It came exactly 40 years after his first
solo effort, which is why he says he originally considered naming the album “40 Years Later.” But when his former bandmate Gene Simmons, who co-wrote two
tracks on the album, suggested the “Spaceman” title, Frehley says he decided to
go with it. The title, of course, comes from the onstage persona that Frehley
had created with KISS in 1973.
“The mindset I was in during
the making of ‘Spaceman’ … I was really thinking about my first ’78 solo
record,” says Frehley. “It was the 40th anniversary, and I actually
did nine songs on purpose, as kind of a good luck thing. (His 1978 solo album
contained nine tracks, including the hit single “New York Groove.”) I
approached ‘Spaceman’ kind of like I approached my ’78 solo album. On the track
‘Mission To Mars’ I was using old delay effects and it brought back memories of
when I used to use an Echoplex in the studio with KISS, and live.”
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| Ace Frehley's "Spaceman" was released last fall. |
One track on the album,
“Bronx Boy” is reflective of Frehley’s youth and growing up in New York City,
which he had also touched upon with the 1979 KISS gem, “Hard Times.” Another
track, “Rocking With The Boys” was first penned in the ‘70s and, thematically,
is similar to the KISS classic “Beth” in that it tells the tale of a musician
that’s too busy working with the band to spend time with his lady.
“I wrote the chorus to that
song before ‘Beth’ ever happened,” says Frehley. “I have like three different
versions of that song. The problem with it, up until ‘Spaceman,’ was I was
never really happy with the bridge and the verses. You get a good hook, but
sometimes the rest of the song just doesn’t hold up. You can have a great hook,
but if you don’t have good verses and a bridge, it’s not going to cut it.
Finally, when I was writing songs for ‘Spaceman,” I decided to take a hard look
at that song and it worked out great. I’m really happy with the end results.”
With the track “Pursuit of
Rock and Roll,” Frehley sings of his love for the all-time greats, referencing
Elvis Presley, Chuck Berry, Little Richard, The Rolling Stones and The Beatles.
And, in other interviews over the years, he has cited Jimi Hendrix, Jimmy Page
and Eric Clapton as influences. Since the late ‘70s, however, it’s been Frehley
that’s been a major influence on others. A member of the Rock and Roll Hall of
Fame, he is often named by musicians as the reason they first wanted to play
guitar. He has also forged friendships with some of those disciples, such as
Slash. Frehley says he enjoys the musical camaraderie.
“I’m very good friends with
John 5 and Mike McCready of Pearl Jam,” says Frehley. “I was also really good
friends with Dimebag. I ended up spending a weekend at his house. I was in Las
Vegas when Vinnie Paul passed away. I flew down to Dallas for the funeral and gave a little speech.
That came as a real big shock.”
Frehley says he appreciates
the accolades he gets from other musicians, though he admits he’s still often
surprised by it.
“It feels great,” he says.
“I’m dumfounded by it. I’m not classically trained, and it just amazes me that
I’ve influenced so many musicians. Not only superstar musicians, but just
regular guys off the street. Every time I do a meet-and-greet and I meet fans,
or any guitar player, they always say they picked up the guitar because of the
‘Alive!’ album.”
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Ace Frehley is a member of the
Rock and Roll Hall of Fame |
Frehley was the original lead guitarist in KISS and was a member of the band from 1973 to 1982. He then
rejoined the group from 1996-2002. Like most bands, KISS has had its share of inner turmoil and Frehley has had his ups and downs with his former bandmates. Regardless, he looks back
at both of his successful stints with “The Hottest Band In The World” with
fondness.
“The ‘70s were the highlight
of my life,” says Frehley. “Being voted in a Gallup Poll as the No. 1 rock
group in the world. Going over to Australia and getting the key to the city from
the Lord Mayor in Sidney and playing stadiums. My childhood dream had come
true. And it all fell apart, partially because of drugs and alcohol. Peter
(Criss) left. And then I decided to leave. But when we put together the reunion
tour, it was so bizarre. I remember the first night, at Tiger Stadium, I really
got a sense of deja vu. Here I am, years later, in the same make-up playing
the same songs, and I’m scratching my head going, ‘Did I ever leave the band?’
What happened?’ ”
 |
Ace Frehley served as KISS' lead guitarist
from 1973-1982 and 1996-2002. |
What did happen? After
splitting from KISS in 1982, Frehley, at last initially, had a busy solo
career. Throughout the latter half of the ‘80s, he released several solo albums
under his own name or with his band, Frehley’s Comet. But, from 1989’s “Trouble
Walking” until 2009’s “Anomaly” there was no new music other than his
appearance with KISS on 1998’s “Psycho Circus.” Since 2009, however, he has
released four new studio albums and a fifth, “Origins, Vol. 2,” will be released
later this year. Frehley says sobriety has been the key to productivity.
“I was beside myself, when I
got sober 13 year ago, and somebody came up to me and said, ‘Ace, do you know
you haven’t done an album in 20 years?’ ” he says. “That’s what alcohol can do
to you. I was completely oblivious to the fact that I hadn’t done a record in
20 years. I said to myself, at that juncture in my life, ‘It’s time to make up
for lost time.’ And I think I have.”
Indeed. “Origins Vol. 1,”
released in April of 2016, featured Frehley revisiting some KISS classics and
putting his spin on songs from artists such as Led Zeppelin and Jimi Hendrix.
One track, a cover of Free’s “Fire and Water,” featured guest vocals from
former bandmate Paul Stanley. For “Origins, Vol. 2,” Frehley says he’s taken a
similar approach and that it will again feature a Zeppelin tune, “Good Times
Bad Times.” Other than a final mix, the album is ready to go.
“I’m really excited about
‘Origins, Vol. 2’ ” he says. “It’s surpassed my expectations. I got Lita Ford
singing ‘Jumping Jack Flash,’ and she’s amazing. She came to my home and I
coached her for two days with vocals and she just (expletive) killed it.
I also have Robin Zander singing ‘30 Days In The Hole’ by Humble Pie. I
really wanted to do the Humble Pie song, but I just couldn’t cut it, vocally,
because Marriott’s just too good of a god-damn singer. I just couldn’t do
justice to his vocals. But I remembered that I had bumped into Robin Zander
years ago at a meet-and-greet and he had mentioned to me that he’d like to sing
on one of my upcoming records, so I remembered that and gave him a call. And he
killed it as well. He sounds like a young Marriott.”
Frehley’s current
relationship with KISS is, as it has often been, complicated. Less than a year
ago, it appeared things were better than they’d been in quite some time. In
2016, Stanley had appeared on “Origins, Vol. 1” and, in 2018, Simmons had
co-penned two songs and helped name the “Spaceman” album. Frehley also made
several appearances with Simmons as the KISS bassist/vocalist promoted his
“Vault” box set and Simmons and Frehley actually did a short tour of Australia
together with Frehley using Simmons’ band for his sets. Photos of the two,
having a good time together, spread throughout social media. Frehley also
appeared on last year’s annual KISS Kruise and even joined his former band on
stage, sans make-up, for a few songs.
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| Ace Frehley plays the F.M. Kirby Center on Saturday |
In January, however, KISS
began its “End of The Road” final tour, and though the band let it be known
they were open to the idea of having some guest appearances from former
members, Frehley let it be known he’d prefer to be included on the entire tour.
That didn’t happen. Shortly before the start of the tour, Simmons, in an
interview with Guitar World magazine, rehashed some of Frehley’s past problems
with alcohol, which irked Frehley and his wife, Rachel. A retaliatory post on
Frehley’s Facebook page, blasting Simmons and accusing him of inappropriate behavior towards Rachel, went viral. And just like that, all of the good will that had
been forged between 2016-2018 appeared to be gone.
Frehley is asked if, since
the January blowup, he’s had the chance to try and mend things with Simmons.
“I have had no contact with
Gene, and Gene hasn’t commented on Rachel’s accusations,” says Frehley. “He
hasn’t said ‘Yay’ or ‘Nay’ or denied it, or apologized. It’s just very
unsettling and an unfortunate situation that that had to go down. I don’t know
the specifics, exactly, because I did not witness anything. In reality, talking
hypothetically, if Rachel decided to sue Gene … in the court of law, I
would have to have to say, if they put me on the stand, that I did not witness
anything. It’s a tough situation. And that’s all I really have to say about
it.”
Frehley says that he has had
some contact with Stanley, who had recently written, in his new book,
“Backstage Pass,” that he’s glad to have redeveloped a friendship with Frehley.
“I spoke with Paul last
week,” says Frehley. “I just touched base. He didn’t really want to talk
about the feud between me and Gene. I heard he’d said some nice things (in the
book), and I actually sent him a text thanking him for the kind words …. That’s
what prompted me to get a hold of him and thank him, and wish him luck on the
European tour that they’re on right now. I always try to keep the door open.”
KISS’ “End of The Road Tour”
has been a success, selling out arenas in the United States and stadiums in
Europe. Stanley recently stated that the band does have a date and venue for
the final show, but it has not yet been revealed. It is assumed it will be in
New York. Frehley says that, despite the unresolved issue with
Simmons, he’s still open to doing some shows with the band, though he
admits it would be awkward to stand on stage with current KISS guitarist Tommy
Thayer, who has capably held the gig for the past 15 years, dressed as the
Spaceman.
“I’m not about to just show
up at a KISS concert,” he says. “If the situation presented itself, and it was
offered to me in the right way, sure. Even if I didn’t want to do it, I’d do it
for my fans, because I know my fans want it …. But unless I was invited, and we
could figure something out, where Tommy goes backstage and I takeover for a few
songs - I don’t know. It’s a difficult question. And it’s an awkward question.”
What is not awkward for
Frehley is playing solo shows, which he’s been doing since 1985. Even during
the years when he didn’t record, he always toured. His shows are peppered with
his KISS classics such as “Shock Me” and “Rocket Ride,” as well as KISS songs
that he didn’t originally sing, such as “Detroit Rock City” and “Cold Gin.”
There are also tunes from Frehley’s Comet and more recent numbers and, of
course, some smoking guitars. (Literally.) He says his band, which was once
Simmons’ backing group for his solo shows, is phenomenal.
“They all sing lead, so we
can do three and four part harmonies,” says Frehley. “It’s a much more cohesive
unit. I enjoy working with these guys. They’re all out of Nashville and they’re
really professional.”
Frehley’s return to the F.M.
Kirby Center on Saturday will be the fourth time he’s played the venue. He
performed there twice with KISS in 1974, when it was known as The Paramount
Theater, and he was there, solo, in 2016. That day was memorable, as it was also
the day that “Origins, Vol. 1” was released nationwide. That afternoon, Frehley
did a record store appearance at the Wyoming Valley Mall, where he signed
hundreds of autographs. Later that night, on stage at The Kirby, just before
the encores, he began to feel ill onstage. He was taken to Wilkes-Barre’s
General Hospital where he would stay for several days.
Frehley remembers it
well.
“I started to get palpations
towards the end of the how, and I kind of had to sit on my amp a few times,” he
says. “I just didn’t feel right. I started to get dizzy, and I had to cut the
show short. I really didn’t know what was going on. I went to the emergency
room and found out I was severely dehydrated and suffering from exhaustion. It
was a little too much for me. It may not have happened if I didn’t do the
in-store. I forgot to drink fluids that day and usually, when I do a concert, I
just lay in bed and order room service and watch movies and save my energy for
the concert. It took maybe a little more out of me than I thought it had, and
it affected the show. They decided to keep me overnight for observation,
because they thought something might be wrong with my heart – because of the
palpations and fluttering – and they gave me an angiogram, and it came back 100%
negative. In fact the doctor, who was about 45, said ‘Jesus Christ, Ace, I wish
my angiogram was a good as yours. You have absolutely no blockage.' So I don’t
have to worry about getting a triple by-pass anytime soon.
“Everything was fine. They
took good care of me.”
Expect some encores on Saturday.
---
This story also appeared as
the cover story of June 26, 2019 issue of The Weekender, the No. 1 arts and
entertainment newspaper in Northeastern Pennsylvania, The Weekender version can
be viewed here:
https://www.theweekender.com/wk_cover/31826/frehley-ready-for-blastoff)
Who: Ace Frehley
When: Saturday, June 29, at 8 p.m.
Where: F.M. Kirby Center for The Performing Arts, 71 Public
Square, Wilkes-Barre
Info: (570) 826-1100
Alan K. Stout has covered rock and pop music in Northeastern Pennsylvania since 1992. His weekly radio show, “Music On The Menu,” airs every Sunday from 9-10 p.m. on The River. Reach him at musiconthemenu@comcast.net
